what is it good for?
May 31st, 2009, search relatedRelated posts :: Germans outplayed by Ahmadinejad in their own Spiegel/Mirror :: Trannie *Logic* :: biography :: The Parable of the Tree and the House
michaelP wrote:
> laughs mike:
>
>> Hilarious !
>
> Hi mike, apart from the reference to Edwin Starr’s recording of ‘War’ (also
> brilliantly covered by Frankie Goes To Hollywood amongst others), was there
> any thing else you found amusing? My point, which I have made before, is
> that ge-stell is war, the real world war that is the war with the world that
> not only dwarfs the world wars of ‘history’ but such wars and other
> disasters — and successes, mind you — (credit-crunching, errorisms and
> terrorisms, global warning [sic], holocaustics et al) are but the signs and
> manifestations of the total mobilisation of every thing (which constitutes
> (is) the ge-stell). That is: for me and my opera.
Isn’t there a minimilization in your “are BUT the signs…” that is akin
(on another level) to the scientific minimilization of praxis as BUT
using without knowing? In which case, a reversal in priority would be
needed to show the holocaustics for the true horror it really is - not
merely ‘BUT’ a sign of something as horror-deprived as “mobilisation”?
